{"id":498,"date":"2016-03-29T12:33:02","date_gmt":"2016-03-29T12:33:02","guid":{"rendered":"https:\/\/www.imaq.fr\/blog\/?p=498"},"modified":"2016-03-29T12:33:02","modified_gmt":"2016-03-29T12:33:02","slug":"salim-bachi","status":"publish","type":"post","link":"https:\/\/www.imaq.fr\/blog\/2016\/03\/salim-bachi\/","title":{"rendered":"Salim BACHI"},"content":{"rendered":"<p><em><a href=\"http:\/\/www.bibliomonde.com\/livre\/aristides-sousa-mendes-juste-de-bordeaux-845.html\" target=\"_blank\">Extrait d&rsquo;un article du\u00a0Monde sign\u00e9 Jos\u00e9-Alain Fralon<\/a><\/em>\u00a0: \u00ab\u00a0<em>Aristides de Souza Mendes est ce consul du Portugal \u00e0 Bordeaux en 1940, qui, \u00e0 l\u2019inverse d\u2019un Maurice Papon, choisit de d\u00e9sob\u00e9ir \u00e0 son gouvernement pour sauver milliers de personnes en leur d\u00e9livrant des visas.<br \/>\n<\/em><em>Le Portugal \u00e9tait neutre dans le second conflit mondial, mais son dictateur Salazar interdisait \u00e0 ses diplomates de d\u00e9livrer le moindre visa \u00e0 certaines cat\u00e9gories de demandeurs d\u2019asile, les plus vuln\u00e9rables dans le contexte de l\u2019\u00e9poque : les apatrides, les juifs, les Russes\u2026 autant d\u2019ind\u00e9sirables fuyant les nazis. Bordeaux, en mai-juin 1940 est envahi par des centaines de milliers de r\u00e9fugi\u00e9s. Le consul, inform\u00e9 de la situation, se met \u00e0 d\u00e9livrer des visas \u00e0 tour de bras&#8230;\u00a0\u00bb<\/em><\/p>\n<p>Une <a href=\"http:\/\/www.sousamendes.org\/\" target=\"_blank\">association et un site<\/a> perp\u00e9tuent la m\u00e9moire de ce Juste.<\/p>\n<p>Salim BACHI, romancier alg\u00e9rien n\u00e9 \u00e0 Alger en 1971,\u00a0retrace, dans ce roman en forme de confession, le destin exceptionnel d\u2019un homme myst\u00e9rieux et tourment\u00e9, croyant \u00e9pris de libert\u00e9 et p\u00e8re de quatorze enfants que l\u2019amour d\u2019une femme et de l\u2019humanit\u00e9 vont transfigurer.<\/p>\n<p>Il a publi\u00e9 :<\/p>\n<ul>\n<li><em>Le consul<\/em> (\u00e9ditions Gallimard, 2015)<\/li>\n<li><em>Le dernier \u00e9t\u00e9 d&rsquo;un jeune homme<\/em> (\u00e9ditions Flammarion, 2013)<\/li>\n<li><em>Moi, Khaled Kelkal<\/em> (\u00e9ditions Grasset, 2012)<\/li>\n<li><em>Amours et aventures de Sindbad le Marin<\/em> (\u00e9ditions Gallimard, 2010)<\/li>\n<li><em>Le silence de Mahomet<\/em> (\u00e9ditions Gallimard, 2008)<\/li>\n<li><em>Les douze contes de minuit<\/em> (\u00e9ditions Gallimard, 2006)<\/li>\n<li><em>Tuez-les tous<\/em> (\u00e9ditions Gallimard, 2006)<\/li>\n<li><em>Autoportrait avec Grenade<\/em> (\u00e9ditions du Rocher, 2005)<\/li>\n<li><em>La Kah\u00e9na<\/em> (\u00e9ditions Gallimard, 2003)<\/li>\n<li><em>Le chien d&rsquo;Ulysse<\/em> (\u00e9ditions Gallimard, 2001, Prix de la Vocation \/ Goncourt du Premier roman)<\/li>\n<\/ul>\n<p><a href=\"https:\/\/www.imaq.fr\/blog\/wp-content\/uploads\/2016\/03\/le_consul.jpg\" rel=\"attachment wp-att-499\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-thumbnail wp-image-499 colorbox-498\" src=\"https:\/\/www.imaq.fr\/blog\/wp-content\/uploads\/2016\/03\/le_consul-150x150.jpg\" alt=\"le_consul\" width=\"150\" height=\"150\" \/><\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Extrait d&rsquo;un article du\u00a0Monde sign\u00e9 Jos\u00e9-Alain Fralon\u00a0: \u00ab\u00a0Aristides de Souza Mendes est ce consul du Portugal \u00e0 Bordeaux en 1940, qui, \u00e0 l\u2019inverse d\u2019un Maurice Papon, choisit de d\u00e9sob\u00e9ir \u00e0 son gouvernement pour sauver milliers de personnes en leur d\u00e9livrant des visas. Le Portugal \u00e9tait neutre dans le second conflit mondial, mais son dictateur Salazar [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_editorskit_title_hidden":false,"_editorskit_reading_time":0,"_editorskit_is_block_options_detached":false,"_editorskit_block_options_position":"{}","footnotes":""},"categories":[2,23],"tags":[],"class_list":["post-498","post","type-post","status-publish","format-standard","hentry","category-auteur","category-biennale-2016"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.5 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Salim BACHI - Biennale Culturelle Ma\u00e7onnique de Bordeaux<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.imaq.fr\/blog\/2016\/03\/salim-bachi\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Salim BACHI - Biennale Culturelle Ma\u00e7onnique de Bordeaux\" \/>\n<meta property=\"og:description\" content=\"Extrait d&rsquo;un article du\u00a0Monde sign\u00e9 Jos\u00e9-Alain Fralon\u00a0: \u00ab\u00a0Aristides de Souza Mendes est ce consul du Portugal \u00e0 Bordeaux en 1940, qui, \u00e0 l\u2019inverse d\u2019un Maurice Papon, choisit de d\u00e9sob\u00e9ir \u00e0 son gouvernement pour sauver milliers de personnes en leur d\u00e9livrant des visas. Le Portugal \u00e9tait neutre dans le second conflit mondial, mais son dictateur Salazar [&hellip;]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.imaq.fr\/blog\/2016\/03\/salim-bachi\/\" \/>\n<meta property=\"og:site_name\" content=\"Biennale Culturelle Ma\u00e7onnique de Bordeaux\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/biennaleculturellemaconnique.bordeaux\" \/>\n<meta property=\"article:published_time\" content=\"2016-03-29T12:33:02+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.imaq.fr\/blog\/wp-content\/uploads\/2016\/03\/le_consul.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"839\" \/>\n\t<meta property=\"og:image:height\" content=\"1222\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"BCMB\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"\u00c9crit par\" \/>\n\t<meta name=\"twitter:data1\" content=\"BCMB\" \/>\n\t<meta name=\"twitter:label2\" content=\"Dur\u00e9e de lecture estim\u00e9e\" \/>\n\t<meta name=\"twitter:data2\" content=\"1 minute\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/www.imaq.fr\\\/blog\\\/2016\\\/03\\\/salim-bachi\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.imaq.fr\\\/blog\\\/2016\\\/03\\\/salim-bachi\\\/\"},\"author\":{\"name\":\"BCMB\",\"@id\":\"https:\\\/\\\/www.imaq.fr\\\/blog\\\/#\\\/schema\\\/person\\\/3df683af05c9d4e9401e01364d03a5fd\"},\"headline\":\"Salim BACHI\",\"datePublished\":\"2016-03-29T12:33:02+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/www.imaq.fr\\\/blog\\\/2016\\\/03\\\/salim-bachi\\\/\"},\"wordCount\":262,\"publisher\":{\"@id\":\"https:\\\/\\\/www.imaq.fr\\\/blog\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/www.imaq.fr\\\/blog\\\/2016\\\/03\\\/salim-bachi\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/www.imaq.fr\\\/blog\\\/wp-content\\\/uploads\\\/2016\\\/03\\\/le_consul-150x150.jpg\",\"articleSection\":[\"Auteurs\",\"Biennale 2016\"],\"inLanguage\":\"fr-FR\"},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/www.imaq.fr\\\/blog\\\/2016\\\/03\\\/salim-bachi\\\/\",\"url\":\"https:\\\/\\\/www.imaq.fr\\\/blog\\\/2016\\\/03\\\/salim-bachi\\\/\",\"name\":\"Salim BACHI - Biennale Culturelle Ma\u00e7onnique de Bordeaux\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.imaq.fr\\\/blog\\\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\\\/\\\/www.imaq.fr\\\/blog\\\/2016\\\/03\\\/salim-bachi\\\/#primaryimage\"},\"image\":{\"@id\":\"https:\\\/\\\/www.imaq.fr\\\/blog\\\/2016\\\/03\\\/salim-bachi\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/www.imaq.fr\\\/blog\\\/wp-content\\\/uploads\\\/2016\\\/03\\\/le_consul-150x150.jpg\",\"datePublished\":\"2016-03-29T12:33:02+00:00\",\"breadcrumb\":{\"@id\":\"https:\\\/\\\/www.imaq.fr\\\/blog\\\/2016\\\/03\\\/salim-bachi\\\/#breadcrumb\"},\"inLanguage\":\"fr-FR\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\\\/\\\/www.imaq.fr\\\/blog\\\/2016\\\/03\\\/salim-bachi\\\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"fr-FR\",\"@id\":\"https:\\\/\\\/www.imaq.fr\\\/blog\\\/2016\\\/03\\\/salim-bachi\\\/#primaryimage\",\"url\":\"https:\\\/\\\/www.imaq.fr\\\/blog\\\/wp-content\\\/uploads\\\/2016\\\/03\\\/le_consul.jpg\",\"contentUrl\":\"https:\\\/\\\/www.imaq.fr\\\/blog\\\/wp-content\\\/uploads\\\/2016\\\/03\\\/le_consul.jpg\",\"width\":839,\"height\":1222},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/www.imaq.fr\\\/blog\\\/2016\\\/03\\\/salim-bachi\\\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Accueil\",\"item\":\"https:\\\/\\\/www.imaq.fr\\\/blog\\\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Salim BACHI\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\\\/\\\/www.imaq.fr\\\/blog\\\/#website\",\"url\":\"https:\\\/\\\/www.imaq.fr\\\/blog\\\/\",\"name\":\"Biennale Culturelle Ma\u00e7onnique de Bordeaux\",\"description\":\"IMAQ\",\"publisher\":{\"@id\":\"https:\\\/\\\/www.imaq.fr\\\/blog\\\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\\\/\\\/www.imaq.fr\\\/blog\\\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"fr-FR\"},{\"@type\":\"Organization\",\"@id\":\"https:\\\/\\\/www.imaq.fr\\\/blog\\\/#organization\",\"name\":\"Biennale Culturelle Ma\u00e7onnique de Bordeaux\",\"url\":\"https:\\\/\\\/www.imaq.fr\\\/blog\\\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"fr-FR\",\"@id\":\"https:\\\/\\\/www.imaq.fr\\\/blog\\\/#\\\/schema\\\/logo\\\/image\\\/\",\"url\":\"https:\\\/\\\/www.imaq.fr\\\/blog\\\/wp-content\\\/uploads\\\/2014\\\/12\\\/logo-bcmc.jpg\",\"contentUrl\":\"https:\\\/\\\/www.imaq.fr\\\/blog\\\/wp-content\\\/uploads\\\/2014\\\/12\\\/logo-bcmc.jpg\",\"width\":759,\"height\":784,\"caption\":\"Biennale Culturelle Ma\u00e7onnique de Bordeaux\"},\"image\":{\"@id\":\"https:\\\/\\\/www.imaq.fr\\\/blog\\\/#\\\/schema\\\/logo\\\/image\\\/\"},\"sameAs\":[\"https:\\\/\\\/www.facebook.com\\\/biennaleculturellemaconnique.bordeaux\"]},{\"@type\":\"Person\",\"@id\":\"https:\\\/\\\/www.imaq.fr\\\/blog\\\/#\\\/schema\\\/person\\\/3df683af05c9d4e9401e01364d03a5fd\",\"name\":\"BCMB\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"fr-FR\",\"@id\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/d6fbbbb38de40bcc3a41d4467d090d3b92513d4eb33fc933729359bbce505880?s=96&d=identicon&r=g\",\"url\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/d6fbbbb38de40bcc3a41d4467d090d3b92513d4eb33fc933729359bbce505880?s=96&d=identicon&r=g\",\"contentUrl\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/d6fbbbb38de40bcc3a41d4467d090d3b92513d4eb33fc933729359bbce505880?s=96&d=identicon&r=g\",\"caption\":\"BCMB\"},\"sameAs\":[\"https:\\\/\\\/www.imaq.fr\"],\"url\":\"https:\\\/\\\/www.imaq.fr\\\/blog\\\/author\\\/pomirol\\\/\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Salim BACHI - Biennale Culturelle Ma\u00e7onnique de Bordeaux","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/www.imaq.fr\/blog\/2016\/03\/salim-bachi\/","og_locale":"fr_FR","og_type":"article","og_title":"Salim BACHI - Biennale Culturelle Ma\u00e7onnique de Bordeaux","og_description":"Extrait d&rsquo;un article du\u00a0Monde sign\u00e9 Jos\u00e9-Alain Fralon\u00a0: \u00ab\u00a0Aristides de Souza Mendes est ce consul du Portugal \u00e0 Bordeaux en 1940, qui, \u00e0 l\u2019inverse d\u2019un Maurice Papon, choisit de d\u00e9sob\u00e9ir \u00e0 son gouvernement pour sauver milliers de personnes en leur d\u00e9livrant des visas. Le Portugal \u00e9tait neutre dans le second conflit mondial, mais son dictateur Salazar [&hellip;]","og_url":"https:\/\/www.imaq.fr\/blog\/2016\/03\/salim-bachi\/","og_site_name":"Biennale Culturelle Ma\u00e7onnique de Bordeaux","article_publisher":"https:\/\/www.facebook.com\/biennaleculturellemaconnique.bordeaux","article_published_time":"2016-03-29T12:33:02+00:00","og_image":[{"width":839,"height":1222,"url":"https:\/\/www.imaq.fr\/blog\/wp-content\/uploads\/2016\/03\/le_consul.jpg","type":"image\/jpeg"}],"author":"BCMB","twitter_card":"summary_large_image","twitter_misc":{"\u00c9crit par":"BCMB","Dur\u00e9e de lecture estim\u00e9e":"1 minute"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/www.imaq.fr\/blog\/2016\/03\/salim-bachi\/#article","isPartOf":{"@id":"https:\/\/www.imaq.fr\/blog\/2016\/03\/salim-bachi\/"},"author":{"name":"BCMB","@id":"https:\/\/www.imaq.fr\/blog\/#\/schema\/person\/3df683af05c9d4e9401e01364d03a5fd"},"headline":"Salim BACHI","datePublished":"2016-03-29T12:33:02+00:00","mainEntityOfPage":{"@id":"https:\/\/www.imaq.fr\/blog\/2016\/03\/salim-bachi\/"},"wordCount":262,"publisher":{"@id":"https:\/\/www.imaq.fr\/blog\/#organization"},"image":{"@id":"https:\/\/www.imaq.fr\/blog\/2016\/03\/salim-bachi\/#primaryimage"},"thumbnailUrl":"https:\/\/www.imaq.fr\/blog\/wp-content\/uploads\/2016\/03\/le_consul-150x150.jpg","articleSection":["Auteurs","Biennale 2016"],"inLanguage":"fr-FR"},{"@type":"WebPage","@id":"https:\/\/www.imaq.fr\/blog\/2016\/03\/salim-bachi\/","url":"https:\/\/www.imaq.fr\/blog\/2016\/03\/salim-bachi\/","name":"Salim BACHI - Biennale Culturelle Ma\u00e7onnique de Bordeaux","isPartOf":{"@id":"https:\/\/www.imaq.fr\/blog\/#website"},"primaryImageOfPage":{"@id":"https:\/\/www.imaq.fr\/blog\/2016\/03\/salim-bachi\/#primaryimage"},"image":{"@id":"https:\/\/www.imaq.fr\/blog\/2016\/03\/salim-bachi\/#primaryimage"},"thumbnailUrl":"https:\/\/www.imaq.fr\/blog\/wp-content\/uploads\/2016\/03\/le_consul-150x150.jpg","datePublished":"2016-03-29T12:33:02+00:00","breadcrumb":{"@id":"https:\/\/www.imaq.fr\/blog\/2016\/03\/salim-bachi\/#breadcrumb"},"inLanguage":"fr-FR","potentialAction":[{"@type":"ReadAction","target":["https:\/\/www.imaq.fr\/blog\/2016\/03\/salim-bachi\/"]}]},{"@type":"ImageObject","inLanguage":"fr-FR","@id":"https:\/\/www.imaq.fr\/blog\/2016\/03\/salim-bachi\/#primaryimage","url":"https:\/\/www.imaq.fr\/blog\/wp-content\/uploads\/2016\/03\/le_consul.jpg","contentUrl":"https:\/\/www.imaq.fr\/blog\/wp-content\/uploads\/2016\/03\/le_consul.jpg","width":839,"height":1222},{"@type":"BreadcrumbList","@id":"https:\/\/www.imaq.fr\/blog\/2016\/03\/salim-bachi\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Accueil","item":"https:\/\/www.imaq.fr\/blog\/"},{"@type":"ListItem","position":2,"name":"Salim BACHI"}]},{"@type":"WebSite","@id":"https:\/\/www.imaq.fr\/blog\/#website","url":"https:\/\/www.imaq.fr\/blog\/","name":"Biennale Culturelle Ma\u00e7onnique de Bordeaux","description":"IMAQ","publisher":{"@id":"https:\/\/www.imaq.fr\/blog\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/www.imaq.fr\/blog\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"fr-FR"},{"@type":"Organization","@id":"https:\/\/www.imaq.fr\/blog\/#organization","name":"Biennale Culturelle Ma\u00e7onnique de Bordeaux","url":"https:\/\/www.imaq.fr\/blog\/","logo":{"@type":"ImageObject","inLanguage":"fr-FR","@id":"https:\/\/www.imaq.fr\/blog\/#\/schema\/logo\/image\/","url":"https:\/\/www.imaq.fr\/blog\/wp-content\/uploads\/2014\/12\/logo-bcmc.jpg","contentUrl":"https:\/\/www.imaq.fr\/blog\/wp-content\/uploads\/2014\/12\/logo-bcmc.jpg","width":759,"height":784,"caption":"Biennale Culturelle Ma\u00e7onnique de Bordeaux"},"image":{"@id":"https:\/\/www.imaq.fr\/blog\/#\/schema\/logo\/image\/"},"sameAs":["https:\/\/www.facebook.com\/biennaleculturellemaconnique.bordeaux"]},{"@type":"Person","@id":"https:\/\/www.imaq.fr\/blog\/#\/schema\/person\/3df683af05c9d4e9401e01364d03a5fd","name":"BCMB","image":{"@type":"ImageObject","inLanguage":"fr-FR","@id":"https:\/\/secure.gravatar.com\/avatar\/d6fbbbb38de40bcc3a41d4467d090d3b92513d4eb33fc933729359bbce505880?s=96&d=identicon&r=g","url":"https:\/\/secure.gravatar.com\/avatar\/d6fbbbb38de40bcc3a41d4467d090d3b92513d4eb33fc933729359bbce505880?s=96&d=identicon&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/d6fbbbb38de40bcc3a41d4467d090d3b92513d4eb33fc933729359bbce505880?s=96&d=identicon&r=g","caption":"BCMB"},"sameAs":["https:\/\/www.imaq.fr"],"url":"https:\/\/www.imaq.fr\/blog\/author\/pomirol\/"}]}},"_links":{"self":[{"href":"https:\/\/www.imaq.fr\/blog\/wp-json\/wp\/v2\/posts\/498","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.imaq.fr\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.imaq.fr\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.imaq.fr\/blog\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.imaq.fr\/blog\/wp-json\/wp\/v2\/comments?post=498"}],"version-history":[{"count":0,"href":"https:\/\/www.imaq.fr\/blog\/wp-json\/wp\/v2\/posts\/498\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.imaq.fr\/blog\/wp-json\/wp\/v2\/media?parent=498"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.imaq.fr\/blog\/wp-json\/wp\/v2\/categories?post=498"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.imaq.fr\/blog\/wp-json\/wp\/v2\/tags?post=498"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}